The Petra Zone

A new take on "Praise Ye the Lord" by Italian Giuseppe Davi with John W. Schlitt - FREE Dance Mix DOWNLOAD (avail. at the lower left-hand corner of Davi's site)
http://www.giuseppedavi.com/

You can watch the video of the ROCK mix below:

Woman or man?

Oh, he's a guy. And from what I understand, pretty well-known in Italy.

The ROCK Mix is ok, the dance mix:

I think it would be 1000% cooler if it was John Schlitt and Greg X Volz who did this. Or maybe 200% cooler if you just scrapped the italian's voice.

While I may agree with PMAL's sentiments, this is still better than anyting on "Never Say Dinosaur"

I only just now listened to this song. It was a good laugh

Another song that will give you a good laugh:

https://soundcloud.com/petraspective/mo ... ya/s-VbX95

Recorded by the RapSures in 1990. One of their members is Rob Watson, who had a short stint with Petra replacing John Slick before John Lawry was available on the Not Of This World tour.

Dude, that sounds so white and so wrong. Carman would do it that way!

p-freak wrote:Another song that will give you a good laugh:

https://soundcloud.com/petraspective/mo ... ya/s-VbX95

Recorded by the RapSures in 1990. One of their members is Rob Watson, who had a short stint with Petra replacing John Slick before John Lawry was available on the Not Of This World tour.

Nothing right about that even back then...

I find it hard to believe that Carman had nothing to do with this goofy recording! However it is better than the lady who sings the GXV song.

Nah, nah, nah. I was saying it was cheesy and sounded like something Carman would have done. The Christian ladies lusting after him would have gone nuts. They had no talent discernment.

I knew Ed and Doug, Carman's engineers. He used to "sing" and his choir sang, but everything else was a mime. The band was mostly guys from Carlton Pearson's old church, Higher Dimensions in Tulsa. They air drummed and guitared to tracks. The keys were about the only thing legit. The choir had backing tracks. They carried around analog 2" multitrack machines and mixed it all as if it were a live band.